Now that title is one hell of a statement to make, but it was made by one 'DL' several years back now, in another decade, another century in fact. But that was before new discoveries were made about the series by one David Stimpson, who for the time being is keeping those fresh discoveries to himself, and I can't say as I blame him. I can only hope that he gets around to having those new dicoveries published soon, as I'm aware of a large number of fans of the Prisoner who are waiting to read them.
But there is another aspect to the Prisoner, questions which defy explanation, questions which will never be answered, no matter how much in-depth research is carried out into the subject. Questions which will forever remain a mystery. For example, that cave in Free For All, no not the Therapy Zone, the one in which No.6 stumbles into through that open steel door, which in turn is revealed by a revolving inner wall of the Green Dome. And just what are those men doing sitting round a "pulsating" Village Guardian, what is 'it' up to? And looking round the exterior of the Green Dome, just where is that cave situated?
In a different situation, we have a retiring No.2 who is escaping the Village by helicopter. The question is, why does the helicopter turn back towrds the Village? Was it on order of the Supervisor in the Control Room? Or was it a voluntary action on the part of the ex-No.2 to have the helicopter pilot take him back to the Village? In a similar situation, we have Professor Jacob Seltzman escaping the Village by helicopter. Why doesn't No.2 act, and give the order that the helicopter pilot is to return his passenger to the Village? What's more, how does the Colonel know about No.1? Surely he could be a traitor, as one of his predecessors, the Colonel of Many Happy Returns doesn't appear to know anything of the Village, or at least he feigns not to know what his ex-colleague is talking about! We can never be sure you see, that's the problem, and also what keeps us interested. It's not what we know, its what we don't know, and that leaves room for plenty more to write about the Prisoner. And scope, there is still scope to make more deductions, to theorise, debate, and to discover. I mean why does one man need such a large house as 1 Buckingham Place? Surely a single man would live in a flat! Who was living in that house at the time of filming the Prisoner? Who decided that that was the house for the Prisoner in the first place, is its location important to the character? Questions you see, but I don't have the answers!
I'm Piet Hein
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